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“I ended up playing with him for four years, from 79-82, and I learned so much, ” he reflected in Down Beat “I think he was one of the pioneers of fusion -that blend of bebop, funk, and r&b -he had it down. Lorber was Kenny ’s first and strongest influence. Lorber was impressed, and Kenny joined the band -but only after graduating magna cum laude in accounting from the University of Washington, just in case he didn ’t make it in music. His first big break came when he was asked to audition for jazz-fusion pioneer Jeff Lorber. Record company -Arista Records, 6 West 57th St., New York, NY 10019.Īs White and famous pianist Liberace. Played backup for such musicians as Barry White and Liberace played with Jeff Lorber Fusion, 1979-82 left to pursue solo career and released self-titled debut album on Arista, 1982 released Duotones, Arista, 1986 has made extensive world tours.Īwards: Grammy Award for best instrumental composition, 1993, for “Forever in Love ” Billboard magazine selected Silhouette as the Number One jazz album of 1988 and named Kenny G the Number One jazz artist of the 1980s.Īddresses: Home -Seattle, WA. Education: Graduated magna cum laude in accounting from the University of Washington.
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Kenny continued to broaden his musical horizons over the next few years, playing with visiting performers such For the Record …īorn Kenneth Gorelick, c. But I did a great job -I even got a standing ovation because I had such a long solo. When I showed up, the band could not believe it -here was this little tiny kid. And I came on with the whole bar mitzvah look -plaid jacket, maroon pants, and maroon tie to match, of course. They said suit and tie -and everybody knows that means dark suit, dark tie. I didn ’t know anything about the business world of playing. “It was very funny, because I hadn ’t played professionally before. “They needed a sax player who could read and solo in a soulful style, and I really was the only person in Seattle that could do both, ” Kenny recalled in Down Beat. While still in high school, he was invited to play with R&B singer Barry White ’s Love Unlimited Orchestra. It was a combination of luck and musical prowess that landed Kenny his first gig. I ’ve been lucky so far that it hasn ’t happened to me. They ’re not going to hear from you again. ’ The history of instrumentalists in pop is that you get a big hit and that ’s the end of it. “I remember when Duotones came out, and I had a hit with ’Songbird.
#KENNY G ALBUM 1988 FREE#
“I ’m lucky, ” Kenny admitted in the Detroit Free Press. In truth, his rapid and seemingly effortless rise to success may be part of the reason critics and musicians come down so hard on him. In little more than a decade he went from being just another backup sax player to selling millions of records worldwide and, following an onstage jam with Bill Clinton, being billed as the U.S. Kenny G is certainly one dreamer whose fantasies have come to life. Maybe I ’m a dreamer, but I think the ordinary guy has as much right to say, This is a good song ’ as somebody who is in the music business. People read these things and think that these are the people who know the most. “It ’s the intellectuals who write the reviews. “I don ’t think anyone has been exceptionally mean to me, ” he explained in Entertainment Weekly. Kenny himself tries to take it in stride. In fact, critical disparagement seems to run inversely to Kenny ’s popularity. The heaps of invective flung in Kenny ’s direction intensified when his follow-up, 1988 ’s Silhouette, went platinum. Ever since the release of the multimillion-selling Duotones in 1986, he has withstood a veritable onslaught of abuse from critics and fellow musicians alike. His sweet soprano sound was inescapable in the 1990s, especially his 1993 jazz-R&B crossover, Breathless, which moved more than 12 million copies to become the best-selling instrumental album ever.Soft-spoken saxophonist Kenny G is a lot tougher than either his boyish grin or his mild, atmospheric records would tend to suggest. The platinum success of his ‘80s-era solo albums G Force and Gravity-and his caressing melodic interpretations, brightening the tracks of R&B giants like Aretha Franklin, Dionne Warwick, and Patti LaBelle-only hinted at what was to come.
#KENNY G ALBUM 1988 PROFESSIONAL#
After beginning his professional life as a teenage sideman in Barry White’s Love Unlimited Orchestra, Kenny joined up with The Jeff Lorber Fusion, where the saxist’s light-hearted approach to jazz-pop (and corkscrew coiff) fully emerged. Born Kenneth Bruce Gorelick in Seattle in 1956, the saxophonist (and early Starbucks investor) has sold more than 75 million albums since the release of his self-titled 1982 debut. Kenny G's career has proceeded with a smoothness that's on par with his adult-contemporary jazz-pop sound.